Tuesday, November 22, 2011

Dan Hubbard & the Humadors "The Love Show"

(www.danhubbard.net) Should be called "the Human Doors," because this Americana heartland grown folks rock n roll band swung my soul wide open!

Man...or ASTRO-man? "Your Weight on the Moon"


(www.overgroundrecords.co.uk)Man or Astroman?, the extraterrestrial 90s instrumental band that hailed from either Alabama or Venus, ain’t no joke. Some might say the band crested above its 90s surf colleagues because of novelty, but it’s hard to pin that particular “N” word on an act that took goofy themes so seriously. Answering only to their bizarre pseodonyms, incorporating oodles of sci fi movie samples, and performing on stages overrun by walls of monitors, working Tesla coils, and more tubes and cables than a Radio Shack dumpster, MOAM proved to be one of the most powerful live acts in their heyday. But a more potent argument against dismissing Man or Astroman as a joke band was their magnificent music. At its best instrumental surf rock splits the difference between the 1960s’ most evocative film soundtracks and its most damaging teenage guitar freakouts. And though there were challenged during the 90s surf revival (by acts like the spellbinding Shadowy Men on a Shadowy Planet and genuine novelty act the Phantom Surfers), no band in the genre left a more impressive body of recorded work. They brought traditional surf to the stratosphere and toyed with 80s electronic experimentation on scores of LPs, EPs, and singles, including classics like 1995’s Project Infinity and 1994’s Your Weight on the Moon, just reissued in England, where the band was apparently huge…the booklet features glowing reviews from Melody Maker, NME and, believe it or not, Metal Hammer). In addition to the great press clippings in the thick booklet, this CD throws a couple of awesome 7" singles into the space capsule.

Panther Style "Emergencia"

(www.pantherstylemusic.com) I'm so impressed by Jeanne Mcclure's slyly commanding rock n roll vocalistics that I shaved a happy face in my pubes, creating a Pants Fur Smile. I am allowed to say something that absurd about this record because they have a song called "Sex Panther."

Grubstake "What's the point in a new c.d. ANYHOW"

(www.grubbies.net) This is not only post post-punk, it's post post post post-punk. It's so post-everything it sounds like Paul McCartney having a lazy writing session with Jandek and Tom Waits.

The Slow Poisoner "Lost Hills"

(Rocktopus!) One of my fave gothic garage rock one man bands delivers a rock opera, of sorts, with slinky, spooky storysongs about a mysterious town and an ethereal dream girl and lotsa poison. It's kinda undermined by between song narration, that woulda been better if it were underscored, or if the narrative was acted out by actors. I'm all for clarity but this feels a bit like having to explain a joke. That said -- the twist ending will shock you! Unless you've seen a movie with the same twist ending. But even then it'll warmly nostalgia you! Plus lotsa poison!

The Body


(Corleone) This Body must belong to Robert Earl Hughes or those motorcycle riding McGuire Twins or some other Guinness Book of World Records icon of record-breaking girth, because it's so heavy it broke all the chairs in my house by the second song.

Hospital Ships "Lonely Twin"

(Graveface) This music is so good that it would make mean animals act nice to people!

Tokyo Rosenthal "Who Was That Man?"

(www.tokyorosenthal.com) The best song is a variation on the sexy librarian theme where a cowboy uses illiteracy as a come on. Naked reading rules!

Mr. Lewis and the Funeral 5 "Delirium Tremendous"

(www.chickenranchrecords.com) Should be called Fun-erals, because they make dark, creepy cabaret-core Berlin weirdo music positively joyful!

Dylan Champagne "Love Songs of the Apocalypse Volume 1"

(www.brokeinoakland.com) This moody melodian must have gotten his name because he champion's pain. Just like Luke Perry's character in 90210. Not sure where he got the last name.