(Aqualamb) It’s good that they are not called None More Black Black Black,
because this semi-industrial death-adjacent unit is more dusky than straight up
dark, which may not be a bad thing. There are some actual hooks here, which are
not hidden by doom and gloom. And they reference Soylent Green, Satan and spiders,
the three tastiest “S”-words!
Friday, November 22, 2013
Thursday, November 21, 2013
Metalleg “Hit of the Week”
(Trend Is Dead) If you love Metal and legs you are right on both
counts, but that has nothing to do with this band. Miraculously this is a
hooky, bouncy poppish punk band that has none of the poison that makes “pop
punk” the worst thing in the world. This probably in large part because not
only is there very little annoying fake nasal singing, but this band’s great singing
actually demonstrates dynamics and skill (listen to that choice lilting chorus falsetto on
“Too Bad”). Feels like punk rock but tastes like Willy Wonka candy!
Thursday, November 14, 2013
The New Sounds of Numbers “Invisible Magnetic”
(Cloud Recordings) Perhaps I’m being swayed by the inner-childlike cover art by
number one New Number Hannah Jones, but
what is making me get extra enchanted here is that NSON are creating
progressive, psychedelic, Elephant 6-ish music that somehow has an early 90s
indie pop vibe. In other words, they are injecting simplicity and spareness into
inherently complex forms. Really fresh tasting produce here!
Wednesday, November 13, 2013
Halfrican vs White Pages split cassette
(Cantstandya) Slippery, skanky punkr ock fromGlasgow via the Bowery
via a dilapidated garage in Ohio vs. Boston via a Tasmanian Devil cartoon scrambled
egg hardcore garage trash punksplosions….and everyone’s a winner!
Space Wolves “III,” “IV”
(U-T) I consider myself a fan of the idea of Morrissey, though I don’t actually
enjoy his music. Space Wolves are far more poppy, jangly, lo-fi, and delightful
than Mr. Smiths will ever be, and there are at least a dozen genuinely
infectious tunes amongst the 25 cuts on these two cassettes. But the main Space
Wolf clearly does not share my aversion to Morrissey’s singing and phrasing and
inflections (though he lightens the melodrama by 500 notches). But even with a
vocal approach that does not float anything resembling my boat I still really
dig the pop chops and sweet songwriting, so two space paws up!
Maude Flanders "Puvvy Puzzy"
(Skymongrel) Iowa City's alright if you like saxophones! Invokes the Residents without sounding like them at all.
Devin Dart/Velvet Glaciers split cassette
(FeltCat) I was a teenager when the punk rock store
owner/clerk told me I needed to buy the new KLF “Chill Out” LP, the first,
best, and close to only, ambient record I have. While it’s always impressive to
hear any sound artist create an atmospheric wall/vibe/spell, it’s rare to hear
the nuance, whimsy, and serenity the artists formally known as the Timelords
delivered there. VG harkens back to that record, in part by manipulating some
old records as playing-on-a-distant-AM-radio-in-a-field audio snapshots, but
also in making me feel uncomfortably blissful. DD's strange vibrations also do an amazing job of getting my brain to forget all the bullshit I have to deal with by filling it with some far more special blend of feces.
Neil Hamburger Comics Digest
(Blank Stare) How many comix artists does it take to make a high quality Neil Hamburger comic? Apparently more than 13, because this stinks. Jerry Lewis's comic hijinks translated quite successfully on the comic book page, marking yet another difference between "America's Funnyman" and "The King of Comedy."
Tuesday, November 12, 2013
Subscribe to:
Posts (Atom)









