(www.thesweet.com)
Although Andy Scott, guitarist from the classic lineup, is the last glam
standing, the new Sweet still sounds Sweet-recognizable. But you will have to
have an open mind to dig this collection of New York-themed covers. I’m sure
the current Sweet has been accused of being a Sweet cover band, but here they
are more like a muscular, slick regular cover band, glamming up “Because the
Night,” “Blitzkrieg Bop,” and “Sweet Jane.” But I like it! Hearing a guitar
wailing through “On Broadway” is abso-fucking-ridiculous, and in my mind the
joy of classic glam was the abso-fucking-ridiculusness of it all -- ugly
Slade-sters wearing gay dress up clothes; grown men donning glitter and spandex
superhero suits; 50s rock being repurposed for 70s drugs! The fact that their
Dead or Alive cover and their Black Keys cover sound more like the Sweet than
their Sweet cover (the title track) demonstrates the nuttiness of this album.
I’ll be honest, opening with a great cover of “New York Groove,” that veers off
the reasonable track by mashing up with that awful Jay-Z/Alicia Keys’ New York
song was not to my tastes. But if I want to celebrate absurdity I should
celebrate even when it makes my ears hurt. Bottom Line: I like this better than
the Metallica covers albums, and these Sweetsers prove themselves still sweet!
I JUST FOUND THIS , RECENTLY. EVEN THO' IT PLAYS LIKE AN OFTEN SELF-REFERENTIAL COLLECTION OF MASH-UPS AND COVERS , BOTH OBVIOUS AND "RANDOM" , AS THE KIDS SAY , IT STILL SOUNDS LIKE SWEET TO ME. AN UNLIKELY APPROACH , BUT , IT WORKED. BESIDES , AS MUCH AS I LIKE "ON BROADWAY", IT NEEDED SOME ROCKIN' UP.
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