(Off the Top Rope) My first thought watching this spectacular
documentary about the Memphis-centered pro wrestling scene in the 1960s and 1970s
is that maybe all that talk about athletes and concussions and brain damage is
less spot on than I thought, because Jerry Lawler, Jackie Fargo, Jimmy Valient,
and Sputnik Monroe took more blows to the head than anyone, and they are so
sharp now it’s ridiculous. My second thought involves rushes of memories of
watching regional, low-budget pre-WWF wrestling as a kid and how utterly
engaging and organic and spectacular it was despite lengthy 2 out of 3 falls matches
lack of muscle tone, and a production vibe that felt like one of those local
weathermen in a Dracula cape hosting monster movies shows. Or more
specifically, like the low budget car dealer ads starring wrestling personalities
that played during the Sunday morning broadcasts in Chicago. I recall one of my
eye-openers to adulthood as a kid being the day after a huge Nature Boy Buddy Rogers
match that had been hyped for weeks on All
Star Wrestling I checked the Tribune
and there were no results listed in the sports pages, despite this clearly
being one of the biggest sporting events in the nation. But as we learn in Memphis Heat, those results might have
been in the Memphis newspaper, because their wonderful broadcasts (we see
plenty of excerpts of not just wrestling but the intervews and shenanigans that
made their productions special) were some of the highest rated shows in the
region. They sold out the Colliseum more times then Elvis we are remnded, and
time after time this engaging film shows why not only the immensely talented,
incredibly intelligent Lawler earned his “King” title, but how all these
characters, from the bold Monroe (who refused to honor the city’s segregation
policies) to the intense Valient (who really scared me as a kid) are true
wrasslin’ royalty.
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