(Universal, 1996) Nelson established himself as one of the greatest songwriters in American history with a suite of songs with the perfect country/countrypolitan/pop balance of sincerity and emotion with of cleverness, wordplay, and fun gimmickry. He has been able to draw upon that skillset often, and has alternately carved out a niche as an interpreter of the Great American Songbook and the work of other songwriters. But to put out an album in the mid-90s of thirteen moving, low key, gimmick free, beautiful songs was truly a singular achievement, while also adding to the tens of thousands of brushstrokes on the masterpiece of his career. Certainly as a whole this is one of his best albums, and he likely has over a hundred albums, so that ain't small taters.
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